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I get where you both are coming from - and I think I know why its such a crummy work job. Since I usually write during lunch/recess at school, and usually there's so much noise going on around me, practically bouncing off the walls, I often find it difficult to concentrate. And since I'm the type of person who writes best in a quiet area (thought I do like it if there's some music playing - not really loudly, or anything, just kind of softly. It makes it so it doesn't seem too quiet, but at the same time it doesn't seem too loud. Just perfect.
) that can be quite a problem. Also, I've been having a major writers block for the past few weeks, so that's probably factored into this.
-Cat
Hello, my pretty procrastination project. I'll be your reviewer today. Just keep in mind, I'm going to be reviewing as I'm reading. My comments are bold.
[b]Hi Black Night Werecat. (Cool name, by the way.)
An ominous beginning. I like the opening section, with the barren landscape; that establishes the atmosphere pretty well. I feel the part where she found her parents dead was rather weak and unemotional. You state flatly that her parents were ripped apart, but you do nothing to help the reader see or feel this startling discovery. Put us in Karen's head more so we can see the emotions twirling through her head. Perhaps go through her thoughts prior to finding her parents. It's all very well to tell us she's devastated, but it's something else entirely to make it a reality to the reader.
Now, I'm not sure I like the frequent shifts -- the sectioning of the piece: a little dream here, a little waking life there. It's very fragmented and jarring. We skip from short scene to short scene; you've got four of them in just this bit of the story. In fact, you might be creating more trouble for yourself than necessary. Take this part for example:
You separate these sections with lines of asterisks, but is that really necessary? You state that she's fallen asleep; I believe it would be smoother to simply transition normally -- that is, with paragraphs. Just remove the asterisks.
Moving on, two nitpick suggestions. Your = indicating possession. You're = contraction of you are. You confuse the second with first multiple times. Another thing you need to watch out for is repetition. Check this out:
Is that second tomorrow needed? Nope. It just sounds awkward. Many times repetition can be easily fixed; in other cases it'll be trickier, and you might have to either completely reformat the sentence or just accept the awkwardity. Difficult choice. Anyway, you've got a few cases, so read through the story once, twice, three times, and work out the kinks.
Finally, I simply feel this piece is lacking any emotional investment for the reader. You write in such a detached way that I can't empathize with the main character. Fly-on-the-wall perspective is actually good for some pieces, but not for this one. You need to have some sort of hook that'll bring people back to read the rest; I'm just not seeing that here. Give me a reason to care about Karen -- heck, give me a reason to care about any character. Get into her mind, get into her thoughts, her past, her way of seeing the world.
Hope this helps a bit. Welcome to YWS, Werecat! (Yeah, I read your welcome thread, but I'm still going to call you Werecat. You wouldn't believe how many Cats we have already.
Prokaryote